• The twentieth century witnessed a dramatic rise in fantasy writing and few works became as popular or have endured as long as the novels of J.R.R. Tolkien. Surprisingly, little critical attention has been paid to the presence of music in his novels. This collection of essays explores the multitude of musical-literary allusions and themes intertwined throughout Tolkien’s body of work. Of particular interest is Tolkien’s scholarly work with medieval music and its presentation and performance practice, as well as the musical influences of his Victorian and Edwardian background. Discographies of Tolkien-influenced music of the 20th and 21st centuries are included.
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  • The History of Middle-earth traces the evolution of J.R.R. Tolkien's literary world, stories, and characters from their earliest written forms to the final revisions Tolkien penned shortly before his death in 1973. Published posthumously by Tolkien's son Christopher, the extensively detailed 12-volume work allows readers to follow the development of the texts that eventually became Tolkien's immensely popular The Hobbit, The Lord of The Rings, The Silmarillion, and Unfinished Tales. This work provides a thorough study of Tolkien's life and influences through an analysis of The History of Middle-earth. The work begins with a brief biography and an analysis of the major influences in Tolkien's life. Following chapters deal with elements common to Tolkien's popular works, including the cosmogony, theogony, cosmology, metaphysics, and eschatology of Middle-earth. The study also reviews some of the myths with which Tolkien was most familiar--Greek, Roman, Finnish, and Norse--and reveals the often overlapping relationship between mythology, biblical stories, and Tolkien's popular works.
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  • First ever critical study of Tolkiens little-known essay, which reveals how language invention shaped the creation of Middle-earth and beyond, to George R R Martins Game of Thrones. J.R.R. Tolkiens linguistic invention was a fundamental part of his artistic output, to the extent that later on in life he attributed the existence of his mythology to the desire to give his languages a home and peoples to speak them. As Tolkien puts it in A Secret Vice, the making of language and mythology are related functions. In the 1930s, Tolkien composed and delivered two lectures, in which he explored these two key elements of his sub-creative methodology. The second of these, the seminal Andrew Lang Lecture for 1938-9, On Fairy-Stories, which he delivered at the University of St Andrews in Scotland, is well known. But many years before, in 1931, Tolkien gave a talk to a literary society entitled A Hobby for the Home, where he unveiled for the first time to a listening public the art that he had both himself encountered and been involved with since his earliest childhood: the construction of imaginary languages in full or outline for amusement. This talk would be edited by Christopher Tolkien for inclusion as A Secret Vice in The Monsters and the Critics and Other Essays and serves as the principal exposition of Tolkiens art of inventing languages. This new critical edition, which includes previously unpublished notes and drafts by Tolkien connected with the essay, including his Essay on Phonetic Symbolism, goes some way towards re-opening the debate on the importance of linguistic invention in Tolkiens mythology and the role of imaginary languages in fantasy literature.
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  • In J. R. R Tolkiens Lord of the Rings, The Hobbit and The Silmarillion, Middle-earth endured cataclysmic wars and critical battles, causing great men, women and mystical creatures to arise, influence and shape the course of its history. Here in this book, Tolkien expert David Day examines the complexities surrounding Tolkiens portrayal of good and evil, and analyses Middle-earths most celebrated heroes and the literary, historical and mythological sources that inspired their creation.
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  • First ever critical study of Tolkien’s little-known essay, which reveals how language invention shaped the creation of Middle-earth and beyond, to George R R Martin’s Game of Thrones.J.R.R. Tolkien’s linguistic invention was a fundamental part of his artistic output, to the extent that later on in life he attributed the existence of his mythology to the desire to give his languages a home and peoples to speak them. As Tolkien puts it in ‘A Secret Vice’, ‘the making of language and mythology are related functions’’.In the 1930s, Tolkien composed and delivered two lectures, in which he explored these two key elements of his sub-creative methodology. The second of these, the seminal Andrew Lang Lecture for 1938–9, ‘On Fairy-Stories’, which he delivered at the University of St Andrews in Scotland, is well known. But many years before, in 1931, Tolkien gave a talk to a literary society entitled ‘A Hobby for the Home’, where he unveiled for the first time to a listening public the art that he had both himself encountered and been involved with since his earliest childhood: ‘the construction of imaginary languages in full or outline for amusement’.This talk would be edited by Christopher Tolkien for inclusion as ‘A Secret Vice’ in The Monsters and the Critics and Other Essays and serves as the principal exposition of Tolkien’s art of inventing languages. This new critical edition, which includes previously unpublished notes and drafts by Tolkien connected with the essay, including his ‘Essay on Phonetic Symbolism’, goes some way towards re-opening the debate on the importance of linguistic invention in Tolkien’s mythology and the role of imaginary languages in fantasy literature.
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  • The forerunner to The Lord of the Rings, The Silmarillion fills in the background which lies behind the more popular work, and gives the earlier history of Middle-earth, introducing some of the key characters. The...
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  • A new B-format edition of JRR Tolkiens legacy of short stories which inhabit the realm of The Lord of the Rings. Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Lord of the Rings with a whole collection of background and new stories from the twentieth centurys most acclaimed popular author. The book concentrates on the realm of Middle-earth and comprises such elements as Gandalfs lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End, the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand, and an exact description of the military organization of the Riders of Rohan. Unfinished Tales also contains the only story about the long ages of Numenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantiri and the legend of Amroth. The tales were collated and edited by JRR Tolkiens son and literary heir, Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest
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  • This group of new critical essays offers multidisciplinary analysis of director Peter Jackson's spectacularly successful adaptations of J.R.R. Tolkien's Lord of the Rings trilogy: The Fellowship of the Ring (2001), The Two Towers (2002) and The Return of the King (2003). Part One of the collection, "Techniques of Structure and Story," compares and contrasts the organizational principles of the books and films. Part Two, "Techniques of Character and Culture," focuses on the methods used to transform the characters and settings of Tolkien's narrative into the personalities and places visualized on screen. Each of the sixteen essays includes extensive notes and a separate bibliography. Instructors considering this book for use in a course may request an examination copy here.
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  • Designed to take fans of The Hobbit and The Lord of the Rings deeper into the myths and legends of Middle-earth The Silmarillion is an account of the Elder Days, of the First Age of Tolkiens world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included in the book are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabeth recounts the downfall of the great island kingdom of Numenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings. This pivotal work features the revised, corrected text and includes, by way of an introduction, a fascinating letter written by Tolkien in 1951 in which he gives a full explanation of how he conceived the early Ages of Middle-earth.
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  • A new B-format edition of this novel, designed to take fans of The Hobbit and The Lord of the Rings deeper into the myths and legends of Middle-earth The Silmarillion is an account of the Elder Days, of the First Age of Tolkiens world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included in the book are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabeth recounts the downfall of the great island kingdom of Numenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings. This pivotal work features the revised, corrected text and includes, by way of an introduction, a fascinating letter written by Tolkien in 1951 in which he gives a full explanation of how he conceived the early Ages of Middle-earth.
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  • In a sleepy in the Shire, a young is entrusted with an immense task. He must make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ruling Ring of Power - the only thing that prevents the Dark Lords evil dominion.
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  • Первая часть известного фэнтезийного романа на английском языке. In a sleepy in the Shire, a young is entrusted with an immense task. He must make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ruling Ring of Power - the only thing that prevents the Dark Lords evil dominion.
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  • Hither Shore Band 9 versammelt die Vorträge des DTG Tolkien-Seminars von 2012 sowie weitere Essays und Rezensionen aktueller Veröffentlichungen aus der internationalen Tolkien-Forschung.
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  • "Nature and Landscape in Tolkien", die Vorträge aus dem Tolkien Seminar 2014 der Deutschen Tolkien Gesellschaft e.V.
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  • This volume gathers interviews with and studies of the music of Henryk Miko
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  • In the year after his graduation from Exeter College, Oxford, the great mythopoeic work for which he would become famous was already germinating in Tolkien's mind. In August 2006 the College offered a week of seminars and papers by leading international specialists on Tolkien's Exeter years, the influence of the Great War, the healing power of his narrative, and its relevance to religious and linguistic studies, comparative mythology, and history. Priscilla Tolkien, C.S. Lewis's secretary and friend Walter Hooper, Tolkien's friend the Jesuit priest Robert Murray SJ, and grandson Simon Tolkien attended as special guests, representing the family and those who knew Tolkien personally. The conference was intended to encourage the growth of Tolkien Studies through international and interdisciplinary collaboration. The papers from this conference have been selected, edited, and supplemented by other essays on complementary themes especially for this volume, in order to reveal the dynamic growth of Tolkien Studies around the world. This book explores the spiritual, poetic, personal, and academic sources of inspiration for what is widely regarded as the greatest book of the twentieth century.
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  • This is the first book of Tolkiens trilogy The Lord of the Rings. Sauron, the Dark Lord, has gathered the Rings of Power so that he can rule Middle-earth. All he lacks in his plans for domination is one Ring - the Ring that has fallen into the hands of the hobbit, Bilbo Baggins.
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  • One of Tolkien's great appeals to readers is that he offers a world replete with meaning at every level. To read and reread Tolkien is to share his sense of wonder and holiness, to be invited into the presence of a "beauty beyond the circles of the world." It is to fall in love with a universe that has a beginning and an end, where good and bad are not subjective choices, but objective realities; a created order full of grace, though damaged by sin, in which friendship is the seedbed of the virtues, and where the greatest warriors finally become the greatest healers.A correspondent once told J. R. R. Tolkien that his work seemed illumined "by an invisible lamp." That lamp is the Church, and its light is the imaginative sensibility that we live in a sacramental world. This new book by the author of The Trial of Man examines in depth the influence of Catholic sacramentality on the thought and work of Tolkien, with major emphasis on The Lord of the Rings, but including his literary essays, epistolary poem "Mythopoeia," short story "Leaf by Niggle," and The Silmarillion. Here is a signal contribution to a deeper understanding of Tolkien, whose mythological world is meant to "recover" the meaning of our own as a grace-filled place, pointing toward its Creator.
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  • This book goes back to the middle ages and shows the history of music, musical instruments, dances, food, drinks, banquets and the setting of banquets and even some recipes of the middle ages. It contains also few information on the middle ages in Malta.
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  • " With New Line Cinema's production of The Lord of the Rings film trilogy, the popularity of the works of J.R.R. Tolkien is unparalleled. Tolkien's books continue to be bestsellers decades after their original publication. An epic in league with those of Spenser and Malory, The Lord of the Rings trilogy, begun during Hitler's rise to power, celebrates the insignificant individual as hero in the modern world. Jane Chance's critical appraisal of Tolkien's heroic masterwork is the first to explore its "mythology of power"-that is, how power, politics, and language interact. Chance looks beyond the fantastic, self-contained world of Middle-earth to the twentieth-century parallels presented in the trilogy.
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  • J.R.R. Tolkien captivated the world when he created the most complex and detailed invented universe and mythological system in literature. Tolkien: The Illustrated Encyclopedia is the essential companion to the enchanted world of Middle-earth and the Undying Lands. With new insight into the creation of Arda. Niimenor. and Belenand, and the races of Elves and men, this book brings together every important detail of Tolkiens exhaustively imaginative cosmology. More than five hundred entries cover five major subject areas: history, geography, sociology, natural history, and biography. Loaded with maps, genealogies, time lines, and gorgeous illustrations of characters, places, and events, Tolkien: The Illustrated Encyclopedia reveals and illuminates the full dramatic sweep and splendor of Tolkiens inimitable classics.
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  • The popular paperback edition of this fascinating collection of stories, which continue the tales of The Lord of the Rings and The Silmarillion and contains an alternative version of The Children of Hurin. Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Lord of the Rings with a whole collection of background and new stories from the twentieth centurys most acclaimed popular author. The book concentrates on the realm of Middle-earth and comprises such elements as Gandalfs lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End, the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand, and an exact description of the military organization of the Riders of Rohan. Unfinished Tales also contains the only story about the long ages of Numenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantiri and the legend of Amroth. The tales were collated and edited by JRR Tolkiens son and literary heir, Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his fathers writings.
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  • The popular paperback edition of this fascinating collection of stories, which continue the tales of The Lord of the Rings and The Silmarillion and contains an alternative version of The Children of Hurin. Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Lord of the Rings with a whole collection of background and new stories from the twentieth centurys most acclaimed popular author. The book concentrates on the realm of Middle-earth and comprises such elements as Gandalfs lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End, the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand, and an exact description of the military organization of the Riders of Rohan. Unfinished Tales also contains the only story about the long ages of Numenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantiri and the legend of Amroth. The tales were collated and edited by JRR Tolkiens son and literary heir, Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his fathers writings.
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  • Painstakingly restored from Tolkien’s manuscripts and presented for the first time as a continuous and standalone story, the epic tale of Beren and Lúthien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkien’s Middle-earth. The tale of Beren and Lúthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year. Essential to the story, and never changed, is the fate that shadowed the love of Beren and Lúthien: for Beren was a mortal man, but Lúthien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Lúthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Lúthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril. In this book Christopher Tolkien has attempted to extract the story of Beren and Lúthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth e...
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  • TOLKIEN'S HEROIC QUEST J.R.R. Tolkien was above all else a philologist, a scholarly and expert on the Anglo-Saxon corpus of poetry. Yet, it is not Tolkien's scholarly work which he is primarily remembered for, but his mainstream success with The Hobbit and to an even greater extent The Lord of The Rings. In actuality, Tolkien's scholarly analysis and Tolkien's fiction and creations in the realm of faerie are not independent endeavors; there is an intrinsic connection between his two realms of writing: Tolkien's creative works owe a great debt to his insight into the areas of scholarly study, specifically within his observations on the poem The Battle of Maldon and the Middle English poem, Sir Gawain and the Green Knight. Not only does Tolkien bring the literary flavor of these works into his fictional creation, allowing his reader to transcend his time and inhabit a pseudo-era like but much unlike the world of the Anglo-Saxon poems, Tolkien also applies to his creative work his observations of ofermod within The Battle of Maldon and the social/ moral distinction which he interprets within Sir Gawain and the Green. The encompassing claim of this study is that J.R.R. Tolkien operated as a social critic through his fictional writing, and that Tolkien's developing social criticism has its roots in his critical interpretations of The Battle of Maldon and Sir Gawain and the Green Knight. Tolkien was primarily concerned with the elevation of man-made social s...
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  • Painstakingly restored from Tolkien’s manuscripts and presented for the first time as a continuous and standalone story, the epic tale of Beren and Luthien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkien’s Middle-earth. The tale of Beren and Luthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year. Essential to the story, and never changed, is the fate that shadowed the love of Beren and Luthien: for Beren was a mortal man, but Luthien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Luthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Luthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril. In this book Christopher Tolkien has attempted to extract the story of Beren and Luthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his fathers own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.
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  • Painstakingly restored from Tolkiens manuscripts and presented for the first time as a continuous and standalone story, the epic tale of Beren and Luthien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkiens Middle-earth. The tale of Beren and Luthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year. Essential to the story, and never changed, is the fate that shadowed the love of Beren and Luthien: for Beren was a mortal man, but Luthien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Luthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Luthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril. In this book Christopher Tolkien has attempted to extract the story of Beren and Luthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his fathers own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.
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  • Designed to take fans of The Hobbit and The Lord of the Rings deeper into the myths and legends of Middle-earth The Silmarillion is an account of the Elder Days, of the First Age of Tolkiens world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included in the book are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabeth recounts the downfall of the great island kingdom of Numenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings. This pivotal work features the revised, corrected text and includes, by way of an introduction, a fascinating letter written by Tolkien in 1951 in which he gives a full explanation of how he conceived the early Ages of Middle-earth.
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  • All three parts of epic masterpiece The Lord of the Rings in one paperback. Features brand new packaging, the definitive edition of the text, fold-out flaps with the original two-colour maps, and a revised and expanded index. Sauron, the Dark Lord, has gathered to him all the Rings of Power -- the means by which he intends to rule Middle-earth. All he lacks in his plans for dominion is the One Ring -- the ring that rules them all -- which has fallen into the hands of the hobbit, Bilbo Baggins. In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as the Ring is entrusted to his care. He must leave his home and make a perilous journey across the realms of Middle-earth to the Crack of Doom, deep inside the territories of the Dark Lord. There he must destroy the Ring forever and foil the Dark Lord in his evil purpose. Since it was first published in 1954, The Lord of the Rings has been a book people have treasured. Steeped in unrivalled magic and otherworldliness, its sweeping fantasy has touched the hearts of young and old alike. Now, to coincide with the publication of J.R.R. Tolkiens The Children of Hurin, the definitive 50th Anniversary text, fully restored with almost 400 corrections -- with the full co-operation of Christopher Tolkien -- is reissued with a striking new cover.
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  • Three-volume paperback boxed set of J.R.R. Tolkiens classic masterpiece, packaged in the classic black covers designed by Tolkien himself. Sauron, the Dark Lord, has gathered to him all the Rings of Power -- the means by which he intends to rule Middle-earth. All he lacks in his plans for dominion is the One Ring - the ring that rules them all -- which has fallen into the hands of the hobbit, Bilbo Baggins. In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose. Since it was first published in 1954, The Lord of the Rings has been a book people have treasured. Steeped in unrivalled magic and otherworldliness, its sweeping fantasy has touched the hearts of young and old alike.
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  • Document from the year 2011 in the subject American Studies - Literature, grade: --, Saarland University (Amerikanistik), language: English, abstract: A native form of entertainment that came up in around 1843 was the minstrel show. The minstrel show was a show that consisted of melodies by slaves and jokes by white actors in blackface in order to imitate the blacks. Led by Mr. Interlocutor, the master of ceremonies, three more actors in blackface sat in a semicircle. The endmen or cornermen were known as Mr. Bones and Mr. Tambo, who joked together or made fun of slaves. Thus, the minstrel show was double-edged: on the one hand, racism in the United States was reinforced; on the other hand, so many white Americans have become aware of black popular culture. No wonder therefore, the rise of the minstrel show coincided with the growth of the abolitionist movement in the 19th century. But without doubt, racial discrimination was played down in the minstrel show. The minstrel show was meant as a form of entertainment, which was not intended to be taken seriously. Although the minstrel aimed to create a native and distinctly American form of entertainment, the songs they adopted were of English, Irish or Scottish origin. Furthermore, they presented parodies of European-style entertainment or parodied works by William Shakespeare. The book gives an overview of the history of the minstrel show. Marc A. Bauch is a scholar of American Literature and has specialized in American Theater...
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  • Continuing the story begun in The Hobbit, this is the first part of Tolkiens epic masterpiece, The Lord of the Rings, featuring an exclusive cover image from the film, the definitive text, and a detailed map of Middle-earth. Sauron, the Dark Lord, has gathered to him all the Rings of Power - the means by which he intends to rule Middle-earth. All he lacks in his plans for dominion is the One Ring - the ring that rules them all - which has fallen into the hands of the hobbit, Bilbo Baggins. In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose. To celebrate the release of the first of Peter Jacksons two-part film adaptation of The Hobbit, THE HOBBIT: AN UNEXPECTED JOURNEY, this first part of The Lord of the Rings is available for a limited time with an exclusive cover image from Peter Jacksons award-winning trilogy.
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  • This volume contians "A Semiotic Theory of Rune-Magic," "Is Sigurdr Sigmundr aptrborinn?" and other essays on heroic poetry and religious interpretation in the context of heresies of the Middle Ages and Celtic roots of heroic epic poetry in medieval Germany.
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